NEWS ARCHIVE
MAIN - IN THE PRESS - CAST - CREW - SHOOTING LOCATIONS
- PHOTO GALLERIES
- RUMORS FROM THE SET
- MEDIA - CONCEPT ART - LINKS - DISCUSS
12/31/06 For a while now, we’ve had some info
available in the Props Gallery
about some items The Wareham Forge
made for Outlander. Darrell Markewitz, of the Wareham Forge put
in a lot of effort to make sure the props he created were historically accurate
to the period, whether or not Outlander needed to attempt to be. He sent us a message to let us know about what
sounds like a neat place to visit. He took part in helping recreate an accurate
Viking settlement in eastern Canada. Anyone interested in what Viking life was
like over a millennium ago, should find these sites interesting. He’re what he had to say:
I created the
"Norse Encampment" living history program for Parks Canada at L'Anse
aux Meadows NHSC . This is the only documented Viking Age occupation site in
North America, circa 1000 AD. I also created the stand alone exhibit 'World of
the Norse' for the Cranbrook Institute of Science. Both exhibits are documented
by supporting web sites: http://www.warehamforge.ca/encamp ; http://home.golden.net/~wareham/worldnorse/
Of course both of these exhibits focus on the daily life
during the Viking Age.
He also let us know about some of the other
items that were made for the film. I’ll
let him explain:
A
close friend of mine - David Cox, also created a number of historically
accurate objects for the background sets.
Dave has worked with me both as a historic interpreter and assisting on
construction of 'World of the Norse'. He
was also contacted by Ian Greig, in this case to make a number of larger wooden
objects. Dave built a number of Norse
style 'warp weighted' looms, with the associated textile production tools. Again these were all close replicas of known
historic artifacts from the period. His
wife, Anne Crown, wove textiles on these same looms so they could be seen 'in
use'. Those wanting to see what these
kind of looms look like (both detail and historic context) can check the web
site of the 'Dark Ages Re-Creation Company' at: http://www.darkcompany.ca/photos/textiletools.htm
Dave also has
provided a bed, based on the one from the Oseberg ship burial. A little digging
on any of the DARK web site should get you an
image of that exact piece (look for 'Grimmi's Bed').
12/30/06 BREAKING
NEWS: Outlander dodges a bullet?
After
scheduled talks broke down December 21, ACTRA – the union governing actors and
actresses in most of Canada- was poised to strike starting Monday leaving some question
as to how, if at all, the production of Outlander would be affected, which has
only a week of principle photography left.
There doesn’t seem to be any sign that they are behind on their shooting
and the cast is all set to return from their Christmas break.
The
CFTPA has issued a press release, that you
can read here,
where it’s brought to our attention that the CFTPA and ACTRA
have agreed to resume contract negotiations starting Wednesday, January 3rd,
2007. In turn, ACTRA has agreed not to
strike until after those talks break down, should they not come to any
agreement. So unless talks go downhill
fast, Outlander should be able to get most shooting done without having to
worry about any strike action.
12/29/06 What kind of Viking village would it
be without livestock? To make sure
everything is as it should be, various animals were cast in various roles, from
sheep and chickens, to dogs and horses.
I’m sure the auditioning process was interesting… Anyway, to fill this need Gary Hiltz’s oxen, Bright and
Lion were brought to the set. South Shore Now talked to Gary about what made
his animals right for the part. You can
read the article here.
There were other
animals, such as horses, goats and hens, on the film set. When Mr. Hiltz wasn’t
there, his oxen were minded by a crew member whose only job was to care for the
animals. Mr. Hiltz says he never worried about his team because everyone was so
good to them.
On another note, we’d like to thank
everyone for bearing with us these first few weeks. We’re still pretty new to all this and are
constantly looking for ways to improve.
As such, a number of sections were
holdovers from the initial stages of this project when all we had to go on were
a few extras reports and those reports made up the bulk of our information that
we had been pooling en mass between friends.
Of course now out site has blossomed into something on a much larger
scale.
With that in mind we’ve turned most
of what was once the “reports from the set” section into a single article along
the lines of a production diary, hopefully retaining most of what made those
reports interesting, all the while allowing for various posters a greater degree
of anonymity. You can find the new page here.
Also if theres something you wanted
to discuss about the movie feel free to post in the outlander thread at Crius.net linked to in the menu bar at the top
of the page. You *can* post new topics,
but please make sure they stay in the off-topic forum. But, if you simply have something to report,
please use the e-mail link at the bottom of the page.
12/29/06 The Daily Mail out
of the UK has an interesting article about Sophia Myles. Have you wondered what else the actress who
plays Kainans love interest has been up to besides dating Doctor Who? This acticle
has
a bunch of neat background info about Sophia.
It also discuses one of her latest projects to hit the screen, a BBC
update of Bram Stoker’s Dracula. Viewers
in the UK could have cought it on television last night, but us folks in North
America will have to wait until February 11th 2007.
It looks like an interesting take on the story. It’s not the first time she’s played a fanged
toothed fiend. She played the
wonderfully sexy Erika in 2003’s Underworld (Her role is much larger in the
extended cut).
Eventually,
of course, they get around to asking her about her current project, Outlander
(from which she’s spending the Christmas break back in the UK).
I’ve been
wanting to do an action film for ages because I’ve never been pushed to my
physical limits before,’ says Myles.
In
other news, Patrick Stevenson recently talked to The Daily Gleaner
about his Character in Outlander. It’s
pretty neat to read about the efforts various actors take to make their
performances ring true. You can read
what he had to say here.
Stevenson
plays Unferth, a superstitious character who wears a Thor's hammer pendant.
"He's very
much into the pagan gods of the time. So, I learned about the pagan gods,
studied Thor and the runes and everything that would influence him in
particular."
12/28/06 We were pleasantly surprised recently when the talented people at The Schmitthenner
Armory
contacted us about the work they did on the film. They were kind enough to provide us with some
great photos – for which we’re grateful - of some of the work they did to give
Outlander an authentic period feel.
We’ve started a new gallery page to highlight these images along with a
bit more info on the individual pieces.
You can find the gallery here.
“Special
attention was given to aging the leather, rivets and buckles. Runes and symbols
were etched into the materials. We are proud to have contributed in presenting
depth to this movie.”
12/27/06 Following up on yesterdays update about The Western Star article, we discovered a column by Western Star writer
Gary
Kean.
Apparently he wasn’t immune to the buzz about the film and applied
himself to be a Viking extra. You can
read about how he got to stand in a wet bog for hours in the bitter cold, be
Viking pallbearer, and loved every minute of it here.
“Once I saw a
press release from Theatre Newfoundland Labrador, stating the search was on for
long-haired, bearded and fair-skinned men to act as background performers for
the Viking epic Outlander, I immediately knew they were looking for people who
looked like me.”
“I sent off
my photos and other information and waited to hear back. Sure enough, I got a
call.”
On
another note, if you happen to be in Atlantic Canada, we could use your
help. There are a number of articles
that have appeared in local papers that simply aren’t available. If you see any of these, please let us
know. For example, here are a few that
we are aware of:
October 24 Shelburne County’s The Coast Guard ran an article about six-foot tall
barrels that were shipped for the film
October 26 The Western Star had an article about sheep that were
cast in the movie
October 30 The Gulf News had a piece on a local actress from Port aux Basques who’s blonde hair helped her
land a role in the film. It seems this
piece was re-ran in the November 7th Georgian.
November 24 The Weekly News – possibly a regional version of the Halifax
Daily News, ran a story about a number of Dartmouth teens that had parts as extras in
the film.
12/26/06 We recently came across another interesting news article we missed a while back. In fact it dates back to some of the earliest
reports we got out of Newfoundland from the CBC. Corner Brook’s newspaper,
The Western Star visited the set as the week-long
shoot came to a close and talked with executive producer Don Carmody. He talks a bit about what the production crew
liked about the location, as well as some of the challenges of developing a
local film industry.
“It’s a very scenic location and it works very well for
us,” said Carmody. “We have this inlet that simulates part of a fjord. We have
these spectacular cliffs and mountains with good access for getting equipment
up. We have this very convenient dock that allows us to work off of it, yet
shoot what we need and avoid it, so it’s quite a unique location in that
regard...
“We were
quite knocked out by it.”
You can read the whole article here.

12/25/06 We have a number of smaller updates to the site today. We’ve added at least 15 more entries to the
crew page and a few entries and pictures to the cast page. Also you may find it interesting to browse
the following links we’ve recently come across.
Jeremy Braben is director of aerial
photography and works for Helicopter film Services.
Tal Peleg is an animator over at SPIN
working on the digital effects. His portfolio
webpage can be found here.
Production designer David Hackl’s
site hasn’t been updated in a while and is missing any entries for his work on
the Saw series. His page can be found here.
Also, check out David Kuklish’s–
visual effects supervisor for Outlander – site here.
We also happened across the website
for the lead animator, Scott Johnston.
His blog provides an interesting look into
the work of a CG animator on projects like The Wild.
I haven't updated in a long
time... life got busy. I left IDT a month ago and accepted a job at Spin
Productions to work on an Effects film called Outlander. It's a new experience
working on a film integrating the animation into live action. Long ago I worked
on a TV series called Ace Lightning where we did the same kind of thing, but
this is a whole new level of detail.
12/24/06 Trouble
Brewing?
ACTRA, the union that oversees film,
television, and radio artists in all of Canada except British Columbia – which
has a separate union, has issued press releases [Read them here, and here] in which they say 97% of their members
have voted to strike if a new collective agreement is not reached by December
31. Scheduled talks broke down December
21st. You can read the other
side of the issue at the Canadian Film and Television Production Association
(CFTPA)’s web site here.
Last
week, Variety has apparently also reported that
the uncertain labour situation has already cost the industry. The producers of The Pink Panther 2 and
Disney's National Treasure II: The Book of Secrets, have decided to not shoot
in Toronto and Montreal respectively because of the potential strike.
CBC news reports of these developments here where they point out that the producers of Outlander
were unwilling to comment on the potential impact of a strike on their project.
We do know, though, that shooting in Halifax
is scheduled to conclude after the first week in January. That means that a potential strike could
either force them to rush to shoot the remaining scenes in the last week of
December or that these scenes could either have to wait till after a settlement
or that, if it’s all studio work, the remaining scenes could possibly (though
expensive) be moved elsewhere. I suppose
the other unfavorable option would be that the production could force non ACTRA
members to cross picket lines and the production could finish with replacement
workers.
Either
way , I think we all hope that this can be resolved favorably before any of
these things become an issue. December
31 is still a week away.
On
a brighter note, we’ve added a handful of new images (seen below) to the picture galleries.
12/22/06 We have it on good word that the production is currently filming a
number of scenes that take place on Kainan’s home world. We’re actually fairly impressed with the
scope of this movie. We’ve taken some
screen shots of some of the new concept art seen in the Hypaspace video
from a week or two ago and added them
to the concept art gallery. They’re a little fuzzy due to the source but
interestingly two of them are titled “Kainan Family Compound” and “Kainan
Backyard.” So we’re guessing the scenes
are probably flashbacks to Kainan’s past.
Once those scenes wrap up, the crew
is taking a short break for the Christmas holidays, and will be back filming at
least until the end of the first week in January. Were getting pretty anxious here as the end
of principle photography for Outlander nears, after which the movie heads into
post production under SPIN out of Toronto, Ontario.
Also, you may have noticed that we’ve
reorganized the main page. This will
allow all the hyperlinks to work in Firefox, though there are still some issues
with the pictures displaying on the main page in Firefox, including the big
Outlander title at the top.